Peer reviewed papers are like buses…

2009 October 15

I am pleased to announce that my two favourite open access journals are publishing peer-review articles by me in their current issues, rather than reprint them here I shall simply give links to them and their abstracts. I hope you find them interesting/useful:

www.e-conservationline.com/

www.e-conservationline.com/

D. Cull, “Conservation on the Cyber Frontier”, e-conservation magazine, No. 11 (2009) pp. 18-25, http://www.e-conservationline.com/content/view/793

“The recent history of conservation, as a science and profession, has seen some interesting points of confluence between conservation and the internet. This short article provides an overview of the development of the internet from its inception, to todays Web 2.0, and on to potential futures. Tracing the history of connections between the profession and the technology, the paper suggests the ‘hack’ as a metaphor by which conservation theory and practice could connect. This paper exclusively cites works freely available from the internet, in order to demonstrate the wealth of accessible information.”

Access: http://www.e-conservationline.com/content/view/793




http://ceroart.revues.org/

http://ceroart.revues.org/

Daniel Cull, « Subjectivity as Treatment: Neurosis and the Roots of Contemporary Ethnographic Conservation », CeROArt, 4 | 2009, [En ligne], mis en ligne le 14 octobre 2009. URL : http://ceroart.revues.org/index1237.html. Consulté le 15 octobre 2009.

“This paper explores an imagined ‘origin story’ for ethnographic conservation; exploring the relationships between museums, conservators, indigenous peoples, and ‘ethnographic collections’. Tracing the ‘conservation idea’ from its origins in a state of neurosis to our contemporary post-modern condition, the paper aims to highlight the process through which wounds are being healed and museums along with the profession of conservation are being re-imagined. In so doing the paper explores the increasing realization of the subjectivity of the past, whilst acting as one such subjective his-story.”

Access: http://ceroart.revues.org/index1237.html




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